The incompetent Richard II is deposed by Henry Bolingbroke and undergoes a crisis of identity once he is no longer king.

Based on the play by William Shakespeare.

Beset by problems at home and abroad, a capricious king is forced to relinquish his ‘hollow crown’. As his supporters abandon him and his power trickles away, Richard reflects with startling eloquence on the disintegration of his status and identity. Adjoa Andoh and Lynette Linton direct the first ever company of women of colour in a Shakespeare play on a major UK stage, in a post-Empire reflection on what it means to be British in the light of the Windrush anniversary and as we leave the European Union.

In a revolutionary adaptation by Brad Fraser, this Richard is the story of a king who believes that God gives him the right to live above the rules and who ultimately suffers the consequences. The story is embedded in a time of great freedom that is soon crushed - the late 1970s and early '80s: when lives were lived at great volume against a suffocating strain of conservatism and fear. Fraser's adaptation maintains Shakespeare's text but draws on sources beyond Richard II.

A monarch ordained by God to lead his people. But he is also a man of very human weakness. A man whose vanity threatens to divide the great houses of England and drag his people into a dynastic civil war that will last 100 years.

Superman agrees to sacrifice his powers to start a relationship with Lois Lane, unaware that three Kryptonian criminals he inadvertently released are conquering Earth.

Ruling by divine right, but himself ruled by caprice, King Richard exiles Henry Bolingbroke and seizes his father’s vast estates. While Richard is distracted by a rebellion in Ireland, Bolingbroke returns to England, intent on recovering his rightful property and, with the support of his disgruntled peers, perhaps seizing the crown itself.

Little Richard can stake a claim on having invented rock 'n' roll. A black artist who grew up in the segregated south of the United States, Richard Penniman broke down barriers and took 1950s America by storm. The Beatles and The Rolling Stones supported him and drew inspiration from his musicianship and stagecraft. He went on to influence artists as diverse as David Bowie, Elton John, Michael Jackson and Prince. Yet Little Richard spent years feeling his contribution to music had been overlooked in favour of white rock 'n' roll stars like Elvis Presley and Pat Boone. On top of that, the inner conflict between his religious beliefs and the music style he pioneered – as well as his battles with his own sexuality – led him to quit rock 'n' roll not just once, but twice.

Richard Jewell thinks quick, works fast, and saves hundreds, perhaps thousands, of lives after a domestic terrorist plants several pipe bombs and they explode during a concert, only to be falsely suspected of the crime by sloppy FBI work and sensational media coverage.

An adaptation of the Shakespeare play: a conniving hunchback plots his rise to power to eventually become King of England.